“Why do you say ‘dish’ of tea!” asked Mrs. Phillips, as she lowered herself with evident satisfaction into the easy chair Joan placed for her. “Be good, sweet child. And let who can be clever,” Joan quoted. “Would that be your text?”!

She stood erect, looking down at him while seeming to be absorbed in the rearrangement of her hair, feeling a little ashamed of herself. She was “encouraging” him. There was no other word for it. She seemed to have developed a sudden penchant for this sort of thing. It would end in his proposing to her; and then she would have to tell him that she cared for him only in a cousinly sort of way—whatever that might mean—and that she could never marry him. She dared not ask herself why. She must manoeuvre to put it off as long as possible; and meanwhile some opening might occur to enlighten him. She would talk to him about her work; and explain to him how she had determined to devote her life to it to the exclusion of all other distractions. If, then, he chose to go on loving her—or if he couldn’t help it—that would not be her fault. After all, it did him no harm. She could always be gracious and kind to him. It was not as if she had tricked him. He had always loved her. Kneeling before her, serving her: it was evident it made him supremely happy. It would be cruel of her to end it. She ought to have insisted on their going to a decent shop. The mere advertisement ought to have forewarned her. It was the posters that had captured Mrs. Phillips: those dazzling apartments where bejewelled society reposed upon the “high-class but inexpensive designs” of Mr. Krebs. Artists ought to have more self-respect than to sell their talents for such purposes.

And yet every now and then he would be arresting. In his prime, Joan felt, he must have been a great preacher. Even now, decrepit and wheezy, he was capable of flashes of magnetism, of eloquence. The passage where he pictured the Garden of Gethsemane. The fair Jerusalem, only hidden from us by the shadows. So easy to return to. Its soft lights shining through the trees, beckoning to us; its mingled voices stealing to us through the silence, whispering to us of its well-remembered ways, its pleasant places, its open doorways, friends and loved ones waiting for us. And above, the rock-strewn Calvary: and crowning its summit, clear against the starlit sky, the cold, dark cross. “Not perhaps to us the bleeding hands and feet, but to all the bitter tears. Our Calvary may be a very little hill compared with the mountains where Prometheus suffered, but to us it is steep and lonely.” “Yes, but didn’t they all feel it,” Madge suggested. She still seemed to be arguing with herself rather than with Joan. “Nietzsche. I have been reading him. They are forming a Nietzsche Society to give lectures about him—propagate him over here. Eleanor’s in it up to the neck. It seems to me awful. Every fibre in my being revolts against him. Yet they’re all cocksure that he is the coming prophet. He must have convinced himself that he is serving God. If I were a fighter I should feel I was serving God trying to down Him. How do I know which of us is right? Torquemada—Calvin,” she went on, without giving Joan the chance of a reply. “It’s easy enough to see they were wrong now. But at the time millions of people believed in them—felt it was God’s voice speaking through them. Joan of Arc! Fancy dying to put a thing like that upon a throne. It would be funny if it wasn’t so tragic. You can say she drove out the English—saved France. But for what? The Bartholomew massacres. The ruin of the Palatinate by Louis XIV. The horrors of the French Revolution, ending with Napoleon and all the misery and degeneracy that he bequeathed to Europe. History might have worked itself out so much better if the poor child had left it alone and minded her sheep.” “I heard you come in,” she said. “You’re not busy, are you?”